![]() So what would the difference be between how Photoshop rasterizes this file, and (for example) PhotoLine with anti-aliasing turned off. With the Halftone Live Filter, you can add this effect quickly and easily on an adjustment layer - meaning your original image won't be damaged or changed (hence the term 'non-destructive'). Which means Photoshop's internal rastering algorithm seems to take these tiny seams into account and overflows a bit. (Changing the background colour isn't really a solution, because the colour of the background still affects the rendering and rasterization.)Īnd I am aware that Photoshop fixed this issue a long time ago (if my memory serves me right). When I assign a hairline with the same colour as the fill to all elements the issue goes away in all software, screen displays, and resolutions. the type of paper used in the original and the size of the image on the original must be. I opened the file in PhotoLine and turned off the anti-aliasing, "ripped" it at the same high resolution, and still white dots appear here and there. Halftones may be made, finished with a finer tone quality. The parts do not overlap or exactly fit, and that is caused (seemingly) by a lack of a stroke setting. Affinity allows me to zoom in at a far higher zoom level than Adobe apps, and in PhotoLine at 25000% zoom I can clearly see the same seams (with or without anti-aliasing). I understand that, but what I am saying is that these seams (meaning: actual white lines running between components) are physically present. Turning off anti-aliasing improves the edge line a bit: If I skip InDesign and export directly from Illustrator to PDF, the display edge anti-aliasing is still visible, and the Page Display settings has some affect: You can see that the artwork shapes knockout rather than stack: Here I have captured the 200% view and applied a slight sharpening, so it is easier to see here: Time to glitch In this video i will share a couple of techniques to create amazing Glitch artwork using Affinity Photo.For separating an image into RGB laye. A walkthrough showing the process and technique that I use to create a retro halftone effect, with Affinity Photo, using an adjustment layer stack and halfto. ![]() I can see the artifacts in Illustrator without placing in ID and exporting a PDF. ![]() If the output is to a high resolution device like a platemaker there would be no anti-aliasing and the lines wouldn’t show-the problem only happens with "low res" devices like an anti-aliased screen display. It doesn’t have anything to do with transparency flattening artifacts, but it is a similar issue, where the vector art preview has to get resampled to fit the screen, and the anti-aliasing or aliasing would affect the preview. The drawing is made with shapes that share borders as opposed to shapes stacking on top of each other, so the thin lines are a display artifact (assuming the shape edges are perfectly aligned). ![]()
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